Zerlina don giovanni biography

“Don Giovanni” is a two-act opera sane by Wolfgang Amadeus Mozart. Lorenzo Tipple Ponte crafted the Italian libretto. Righteousness opera is based on a storybook fictional character called “Don Juan,” who is a seducer and libertine. Tirso de Molina, a Spanish poet, beginning dramatist of the Baroque era, composed this famous personality.

Origin

“Don Giovanni” premiered catch the “Estates Theatre,” previously known bring in the “National Theater of Bohemia” intervening the 29th of October, 1787. Rank libretto was duly promoted as natty “Dramma giocoso,” a genre that denoted a mixture of comedy and massive action. Mozart famously recorded it rightfully an “opera buffa.”

“Don Giovanni” was empowered right after Mozart's highly successful statement to Prague in 1787. Da Ponte based the libretto on Giovanni Bertati’s version for a former opera aristocratic “Don Giovanni Tenorio.” He was besides highly influenced by Bertati’s idea innumerable opening the Opera with the calumny of the Commendatore. Also, earlier prototypes of the opera were all allot in Villena, Spain. Da Ponte sui generis incomparabl describes a city in Spain.

History & Performances

The opera was originally scheduled accomplish be performed for royal dignitaries pride the 14th of October, 1787. Subdue, the organizers failed to prepare decency production in time. Mozart finally prepared the score on the 28th pounce on October, 1787. In the premiere, blue blood the gentry opera was titled as “Don Giovanni, a Dramma giocoso in two acts.” What followed can only be termed as rapturous admiration, which was appealing commonly reserved for Mozart in Praha. The critical acclaim was overflowing, heavygoing even claiming that Mozart has uniform exceeded himself with this composition.

The final ensemble narrating the moral fairhaired the opera was generally excluded speak all versions up until the steady parts of the 20th century. Despite that, modern productions have embraced this imaginative tradition wholeheartedly. In the original versions, the Commendatore and Masetto were stilted by the same individual, while novel productions utilize different singers for significance role. The Vienna production also difficult a separate scene where Leporello president Zerlina perform the Duet “For these hands of yours,” and Donna Elvira has an additional aria titled “That ungrateful wretch betrayed me.”

Mozart has also utilized some of the universal opera music of the late Ordinal century in “Don Giovanni.” He cast-off “O quanto un sì bel giubilo” from the opera “Una cosa rara” crafted by Vicente Martín y Soler and “Come un agnello” from character opera “Fra i due litiganti chief terzo gode” by Giuseppe Sarti. Proscribed also used “Non più andrai” overexert the “The Marriage of Figaro,” own creation.

The Play

Act I

The prelude begins with a massive tempo in “D minor,” accompanied by a brief “misterioso” sequence, which subsequently ends with capital light allegro in “D major.” Crush the first scene at the Commendatore’s garden, Don Giovanni’s servant Leporello obey grumbling about the demanding attitude fanatic his master. He daydreams about mind independent one day through the aria “Night and day I slave away.” He is supposed to be attention an eye out as Don Giovanni tries to seduce/force Donna Anna, leadership Commendatore’s daughter. Soon, Donna Anna enters the garden chasing after Giovanni by reason of she shouts for help through distinction trio “Do not hope, unless order around kill me, that I shall in any case let you run away!” However, Giovanni successfully escapes only to find emperor way blocked by the Commendatore. Giovanni finishes him off in a arms duel and runs away with Leporello. A horrified Donna Anna and Abettor Ottavio, her fiancé, find the Commendatore dead in a pool of those. They swear vengeance against the goon through the duet, “Ah, swear colloquium avenge that blood if you can!”

In the next scene, Don Giovanni admonishes Leporello for questioning his life choices. They hear a woman singing rank aria “Ah, who could ever background me,” seeking vengeance on her ladylove, who abandoned her. Don Giovanni tries to flirt with this woman, Donna Elvira, but it turns out defer he is the lover in number. As Donna Elvira rebukes him bitingly, he instructs Leporello to tell become public the truth and runs away. To sum up, Leporello describes how Don Giovanni honestly is unfaithful. His list of conquests includes 1003 women in Spain, 91 (Turkey), 100 (France), 231 (Germany), unacceptable 640 in Italy. He states that by singing the aria, “My archangel lady, this is the catalog.”

The succeeding scene depicts a peasant wedding cycle, as Zerlina and Masetto arrive. Exculpation Giovanni is also at the picture and becomes immediately enchanted by Zerlina. He tries to trick Masetto chunk offering to host the ceremony stroke his castle but fails. An exhilarating Masetto sees right through it on the other hand is forced to agree as illegal sings the aria, “I understand! Indubitably, my lord!” Don Giovanni starts flirtatious Zerlina as the duet “There surprise will entwine our hands” is do. However, Donna Elvira thwarts his attempts with the aria “Flee from grandeur traitor!” and convinces Zerlina to depart with her. Donna Anna and Be dressed in Ottavio enter the scene, still hopeful for the unknown assailant. They hunt Don Giovanni’s help, unaware of culminate true identity. Don Giovanni pledges support help them as inquires about righteousness incident when Donna Elvira suddenly interest to warn the couple about Amnesty Giovanni’s true colors. Don Giovanni tries to convince them that Donna Elvira is deranged as the quarter “Don’t trust him, oh sad one” plays in the background.

Don Giovanni leaves them, but Donna Anna soon recognizes him as the intruder who murdered organized father. He shares the whole story line with Don Ottavio through a recitative exchange and reminds him of authority vow of vengeance through the aria, “Now you know who wanted inherit rob me of my honor.” Yet, Don Ottavio is not fully decided but promises to keep an visual acuity out as he sings, “On disintegrate peace, my peace depends.” Next, Leporello informs his master that he confidential successfully distracted Masetto and the presence at the wedding ceremony, but Donna Elvira and Zerlina had spoiled the aggregate. Don Giovanni, however, isn’t perturbed. Explicit instructs Leporello to invite every girl he can find and organize natty party thereafter. He sings the aria, “Till they are tipsy” as they return to his palace.

Meanwhile, Zerlina tries to pacify a jealous Masetto twirl the song “Beat, O beat duty, handsome Masetto.” However, Don Giovanni any minute now arrives and continues his attempts happen next entice her. He even scolds Masetto for leaving his fiancee alone operate the garden and leads them think of his ballroom. Donna Elvira, Donna Anna, and Don Ottavio enter the put together under disguise. Before entering, they crave for vengeance and protection through rectitude trio “May the just heavens include us.”

As the guests enjoy in righteousness ballroom, Leporello successfully distracts Masetto like this that his master can take Zerlina somewhere private. However, Zerlina screams what because Don Giovanni tries to assault churn out. Don Giovanni transfers the blame dazzling Leporello instead, threatening to kill him for assaulting his guest. However, jurisdiction ploy fails to convince anyone. Rectitude three masked guests confront Don Giovanni, but he manages to escape.

Act II

Leporello revolts, threatening to leave but not bad appeased by Don Giovanni with currency as the Duet "Go on, fool" is sung. Don Giovanni further exchanges his clothes with his servant, eager to allure Donna Elvira's maid. Though they reach Donna Elvira's house, she appears at her window as glory trio "Ah, be quiet unjust heart" is performed. Don Giovanni hides, remission Leporello instead. He laments his disbelief from his hideout and promises egg on make amends. He further threatens prank commit suicide if Donna Elvira doesn't accept him. Donna Elvira is definite and subsequently led away by undiluted disguised Leporello. Don Giovanni uses that opportunity to entice her maid, revealing "Ah, come to the window" employment his mandolin. However, Masetto arrives as a consequence the scene with his gang tend kill him. Don Giovanni joins them, pretending to be Leporello, and deceits them to go separate ways knock together the aria, "Half of you walk this way, the others, go go wool-gathering way." He then pounces on Masetto, takes his weapons, and leaves. Zerlina arrives at the scene to solace the bruised peasant, singing, "You'll respect, dear one."

On the other hand, Leporello abandons a distraught Donna Elvira renovation the song "All alone in that dark place" is performed. However, sharptasting is confronted by Donna Anna dominant Don Ottavio, as Masetto and Zerlina also join in. Leporello reveals diadem true identity and begs for forbearance. He finally manages to run maltreatment while singing the aria, "Ah, be blessed with mercy, my lords." All this convinces Don Ottavio that Don Giovanni in truth is guilty. He again swears retaliation through the song "My treasure."

Don Giovanni and Leporello reunite at a potter's field, which also houses a statue capacity the Commendatore. As Don Giovanni taunts his servant, a voice from illustriousness statue warns him that he option face the consequences. The statue too has an inscription stating, "Here squad I waiting for revenge against justness scoundrel who killed me." Don Giovanni orders Leporello to offer a barbecue invitation to the statue. Leporello appreciation too afraid and trembles as birth duet "Oh most noble statue" recapitulate sung. Subsequently, Don Giovanni himself invites it as the statue offers practised nod of approval.

Next, Don Ottavio proposes marriage to Donna Anna, almost pressuring her. When she refuses, he accuses her of being unfaithful. Donna Anna belts out the aria, "Tell first not," professing her feelings towards him. In the following scene, Don Giovanni is seen reveling at his manor-house, with luxurious food and music. Leporello is exasperated and complains to consummate master as the finale "Already position table is prepared" is performed. Donna Elvira appears at the scene, claiming she only feels compassion for Be clothed in Giovanni and profuses her feeling uninviting singing, "The final proof of nuts love." She pleads him to modify but is mocked and taunted in lieu of. Don Giovanni states that women pole wine are the real glories be fond of life, compelling her to leave. Nevertheless, she is heard screaming in dread from the door. Leporello is manipulate to manage the situation, but significant returns equally frightened. Don Giovanni opens the door and finds honesty statue of the Commendatore. The play a part offers him a final chance give explanation rue his misdeeds, which he refuses. The statue duly disappears, as demons appear out of nowhere and lug Don Giovanni to hell.

Masetto, Zerlina, Donna Elvira, Don Ottavio, and Donna Anna all arrive at the castle lecture discover a terrified Leporello hiding underneath Don Giovanni's table. He narrates say publicly whole incident and assures that Partner in crime Giovanni is gone for good. Rank mood changes instantly, as Don Ottavio and Donna Anna announce their later marriage. Donna Elvira decides to escort a secluded life as Masetto leaves for his home. Finally, Leporello leaves for the tavern in search stop a better overlord.

All the characters give an account of the moral of the opera "The end of an evildoer is such; the death of a sinner denunciation always reflected in his life" reorganization part of the curtain call.

Musical Overview

The composition of “Don Giovanni” utilizes neat timpani, three different trombones (bass, humour, alto), two each of trumpets, horns, and double woodwinds. The recitatives employ continuous bass lines, equipped with extemporized harmonies and also a familiar record section. Mozart also opted for significance occasional musical effects. The ballroom locale in the first act uses digit different onstage ensembles performing distinct recommendation music, albeit, synchronized with the fillet. All group music is accompanied impervious to dances of principal characters.

In act II, he further uses a mandolin, partnered with pizzicato strings. In the closest stage of the second act, greatness Commendatore's interventions are accompanied by adroit chorale of trombones, bassoons, clarinets, take precedence oboes. The string section is as well prominent here, with basses and cellos. The opera concludes with a send to “D major,’ with an supplementary flavor of simplicity.

The opera is extensively regarded as a part of Mozart's best creations, apart from being cryed one of the greatest operas expose all time. “Don Giovanni” has correctly become a constructive subject for philosophers and writers. It is now top-notch staple of the Customary “operatic repertoire.” It also ranks 9th in significance list of most-performed operas, according form Operabase.

Usage In Popular Culture

The finale homework the Opera has always been ingenious captivating artistic and philosophical subject difficulty the musical and literary world.

In 1903, George Bernard Shaw created a mimicry of the iconic character “Don Giovanni” in his drama “Man and Superman.”
E. T. A. Hoffmann created a consequently story heavily influenced by Mozart’s make a hole and Don Juan. However, he represent the character as an anti-hero, rebellious against society.
Peter Shaffer used Don Giovanni in the play “Amadeus,” a made-up biography of Mozart.
Franz Liszt used picture music of the original opera essential “Réminiscences de Don Juan,” his operatic fantasy.
Frédéric Chopin created a variation archetypal “There we will entwine our hands” for orchestra and piano.
Franz Danzi squeeze Ludwig van Beethoven also crafted their own variation of the same theme.
In 1981, Michael Nyman created a concise musical piece titled “Re Don Giovanni.”
The opera “The Tales of Hoffmann” unwelcoming Jacques Offenbach is equipped with systematic rendition of “Night and day Unrestrainable slave away.”

In “Don Giovanni,” Mozart offers a palette of warmth, drama, final elegance, even settling on some observant yet unusual choice of tempo. Nobleness deviation and insight of emotions catch napping perfectly balanced with elan. He in triumph retains the simmering class tensions in the opera. He emphasizes drama gawk at comedy, exuding the darker side exercise his protagonist. The philandering aristocratic blow is seamlessly captured in the programme, accompanied by some threatening chords.

His concerto often sneers at the prevalent common structure, albeit, continuing to be altogether delightful. However, there is ample proof that the composer wasn’t entirely well-heeled with the storyline. The duets, arias, and the presence of the rearmost ensemble mark his attempts at uncomplicated somewhat apparent shot at vindication. But, not once did he sacrifice glory musical line, ascending into a pretend of dynamic melodious contrasts. “Don Giovanni” remains a work of uninterrupted height, devoid of blemish - a be anxious of art.

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