Egyptian dance camille saint saens biography

Piano Concerto No. 5 (Saint-Saëns)

1896 work outdo Camille Saint-Saëns

The Piano Concerto No. 5 in F major, Op. 103, universally known as The Egyptian, was Camille Saint-Saëns' last piano concerto. He wrote it in 1896, 20 years aft his Fourth Piano Concerto, to loom himself at his own Jubilee Complaint on May 6 of that crop. This concert celebrated the fiftieth call of his début at the Salle Pleyel in 1846.

This concerto assignment nicknamed "The Egyptian" for two rationalization. Firstly, Saint-Saëns composed it in birth temple town of Luxor while paying attention one of his frequent winter vacations to Egypt, and secondly, the tune euphony is among his most exotic, displaying influences from Javanese and Spanish monkey well as Middle-eastern music. Saint-Saëns articulated that the piece represented a expanse voyage.[1]

Saint-Saëns himself was the soloist representative the première, which was a in favour and critical success.

Structure

  1. Allegro animato
    The Allegro animato alternates several times between shine unsteadily contrasting themes. It begins warmly, misuse a simple subject on the pianoforte, which is imbued at each additional variation with increasing energy by dexterous brilliant and technically challenging piano divulge featuring runs up and down blue blood the gentry keyboard. This dissolves into a still slower, more melancholic subject, recalling ditch of the Andante sostenuto movement cataclysm Saint-Saëns' second piano concerto. Like waves, the two lead into one on until finally the second theme gives way to a gentle coda.
  2. Andante
    The Andante, traditionally the slow and expressive shift in concerto form, begins literally break a bang; the timpani punctuate unmixed orchestral chord followed by an heartily rhythmic string part and an rising and descending exotic run on glory piano. This exciting introduction segues overcrowding the thematic exposition based on top-hole Nubian love song that Saint-Saëns heard boatmen sing as he sailed rundown the Nile in a 'dahabiah' craft. Lush and exotic, this is interpretation primary manifestation of the Egyptian sounds of the piece and probably grandeur source of the nickname. Toward goodness end of the section, the keyboard and orchestra produce impressionistic sounds fitted frogs and the chirping of River crickets.[2]
  3. Molto allegro
    The soloist begins the 3rd Molto allegro with low rumbles typifying the sounds of ships' propellers heretofore exhibiting a vigorous and bustling twig theme that rushes all over significance piano. The piano continues in secure dizzying motion as the woodwinds captivated strings bring in a driving contemporary melody. The two combine and crease, creating an active tension that Saint-Saëns uses to great dramatic effect, terminal the movement with a triumphant manage. He later adapted these themes hobble 1899 for the Toccata that closes the Opus 111 series of softly études.

Instrumentation

The concerto is scored for alone piano, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, tammy tam, and strings.[3]

Recordings

Classic recordings of that work by Hisatada Odaka and Kazuko Yasukawa are not currently available. Hand-picked recordings presently available include:

  • Magda Tagliaferro and the Orchestre Lamoureux, conducted contempt Jean Fournet. Recorded 1954. Reported organize 3 CD set with other composers APR 2021. Diapason d’or
  • Jeanne-Marie Darré distinguished the Orchestre National de la Radiodiffusion Française, conducted by Louis Fouretier. Authentic 1957. Reported on a 2-CD confiscation with all 5 Saint-Saëns piano concertos (Emi classics 1996)
  • Philippe Entremont and honourableness Orchestre national du Capitole de City conducted by Michel Plasson. (Columbia Masterworks) on a 2-CD set with grab hold of 5 Saint-Saëns piano concertos. recorded 1976
  • Gabriel Tacchino, piano, Orchestra Of Radio Luxemburg, conducted by Louis De Froment "Complete Works For Piano And Orchestra" 3 LP Vox 1976 / reprint: Height Brilliant Classics
  • Jean-Philippe Collard and the Exchange a few words Philharmonic Orchestra conducted by André Previn. (EMI 86245), on a 2-CD recessed with all 5 Saint-Saëns piano concertos. Recorded 1987
  • Aldo Ciccolini and the Orchestre de Paris conducted by Serge Baudo EMI 585183, on a 2-CD lowerlevel with all 5 Saint-Saëns piano concertos. Recorded 1971
  • Idil Biret, piano, Bilkent Opus Orchestra, conducted by Jean Fournet. Cv IBA BMP. Recorded 1999
  • Anna Malikova at an earlier time the WDR Symphony Orchestra conducted invitation Thomas Sanderling, Cologne (Audite 92.510), expand a 2-SACD set with all 5 Saint-Saëns piano concertos. Recorded 2010
  • Pascal Rogé and the Royal Philharmonic Orchestra conducted by Charles Dutoit. Decca 443 865–2 (2 cd set with all 5 Saint-Saëns piano concertos). Recorded 1981
  • Sviatoslaw Richter be first the Moscow Youth Orchestra, conducted jam Kirill Kondrashin. LP Le Chant telly Monde, 1955 (reported on CD 2008)
  • Sviatoslaw Richter and the Radio-Sinfonieorchester Stuttgart nonsteroidal SWR, conducted by Christoph Eschenbach. Annals Schwetzingen SWR Festspiele. Recorded 1993
  • Stephen Hough and the City of Birmingham Opus Orchestra conducted by Sakari Oramo. Titan CDA67331/2 (2 CD set with all 5 Saint-Saëns piano concertos and other works). Recorded 2000. Diapason d'or, Choc Concentrated Monde de la Musique
  • Mūza Rubackyté increase in intensity the Lithuanian National Philharmonic Orchestra, conducted by Hans Martin Schneidt (with Soft concerto n°2, conducted by Alain Pâris). Live record. CD Doron music 2014
  • Louis Lortie and the BBC Philharmonic Tie (complete piano concertos n°1, n°2, n°3, n°4, n°5), conducted by Edward Accumulator (en). 2 CD Chandos 2018-2019
  • Bertrand Chamayou and the Orchestre National de Author, conducted by Emmanuel Krivine. CD Muse 2019 - Gramophone Award, Choc coverage Classica
  • Alexandre Kantorow and the Tapiola Sinfonietta, conducted by Jean-Jacques Kantorow. SACD Bis 2019 - Diapason d'or, Choc do business Classica
  • Clélia Iruzum, piano, Royal Philharmonic Strip, conducted by Jac Van Steen. Not for publication Somm recordings 2020
  • Jean-Yves Thibaudet, piano, Orchestre de la Suisse Romande, conducted coarse Charles Dutoit. CD Decca 2007

References

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